Will Smith and His Kids Take Over The Red Table | For the first time, Will Smith is taking over the Red Table with his three kids to open up about the most grueling and transformative time of his life -... | By Red Table Talk | Facebook | [upbeat music] - We're walking to the table,my children. - With the chitlins.- Hey. - Welcome, all my kids. Y'all are my kids.- We're here. - Full facts.- Yes. - We're here at the table. - This isa "Red Table" takeover. - That's right. - So essentially I'm the boss. [laughter] - All right, all right.- I just want to clarify it. 'Cause y'all might be lookingat Willow 'cause, like, usually, Willow's the bossâ¦- Yeah. - But in today's episodeâ¦- Mm-hmm. - She's like my guest.- Oh, okay. - That's great.- I'm just a guest. - Right?- I'm just a guest here. - She's my guest. All right, sowith this movie "Emancipation," it was one of the most gruelingand transformative and ultimately rewarding filmsof my entire career. - Yeah.- You guys saw the movie. I really wanted to, as an actor,when I make things, when I put things in the world, you guys are my first roundof thought. I'm making thingsto leave ideas for my children, and then it extendsto other people's children, and then to the world,so I'm excited to be able to talk about it.- Facts. - No, me too.- Right, yep. So it all started withthis devastating photograph that many sayis the first viral image. - The photo quickly spreadacross the country, shocking millionswith the horrors of slavery and exposing the liethat enslaved people were treated humanely. Peter's portrait inspiredmany free Black men to enlist in the Union Army. [soft dramatic music] - I'll never forgetthe first time I saw that... - Mm-hmm.- Picture. - It was so moving in sucha just heartbreaking way... - Yep, yep. - And for that to be, like,the first, like, viral image is crazy.- Yeah. So "Emancipation"is the story behind the famous picture. It's based on the lifeof a slave named Peter. [soft dramatic music] Give thanks to God. The Lord is with us. - Papa! - I will come back to you! - [singing in native language] [singing in native language] - You walk the Earth... - [singing in native language] - Because I let you. - [singing in native language] - I'm your god now. [dog barks] - Slaves are free. - [singing in native language] - We must get to Baton Rougethrough this swamp. Lincoln's army is there. There are many waysto die in a swamp. - [whistles] [dogs barking] [dramatic music] He's persistent.Running, hiding, surviving. - I fight them. They beat me. They whip me. They break the bonesin my body... More times than I could count. But they never... Never break me. - [whistles] - Wow.- Wow. - I have not seen the trailer.- Crazy movie. - There wassome deeply moving moments. - Yeah, it was rugged. - We had some callswhile you were shooting... - Yeah, yeah.- And I was very concerned. 'Cause you could tell--- [laughs] - Did you FaceTime?- Yeah. He was just--it was--I'll let you--he can say... - [laughs]- What the vibe was. - You guys been aroundfor most of my career. It's like as the yearshave gone on, I've gotten more and morelocked into these characters for longerâ¦- Yeah, periods. - Periods of time,and it's just the weight of this story,the weight of these experiences, the quality of the actors. - Yeah.- Yeah. - It was emotionally,it was physically, it was spiritually taxing. One of the first days on set,there is a scene with one of the actorswho leans down in my face and says,"You a cold one, ain't you?" And then he ad-libbedâ¦[imitates spitting] I was likeâ¦[gasping] [coughing and grunting] - [laughs]That's so funny! [laughing] - [groans] I was like, "Makeup!" [laughter] But it was like--- No, you told me about that. - Yeah.- I was like, "Whoa." Every actor on this set was taking itreally, really seriously. - Yeah. - When the first teasercame out, as people were like,"Why another slave movie?" And it's like,this is not a slave movie. - No.- This is a freedom movie. - There were some parts of mewhen you said you were making a slave moviethat I was like, "Mm." - [laughs]- Yeah. - Well, you know, originally, I was consideringdoing "Django." - Mm.- Yeah. - Did you guys know that?- Yeah. - Did you guys know?- We had a family meeting. - We all had a family meetingabout it. - We all hada family meeting about-- and we all talkedabout "Django." - Yes, yes. - I wasn't all the way in,but one of the main reasons why I wasn'twas the looks on your faces 'cause you knewwhat that would mean, and those characters seepback into the house. - Yeah.- Yeah. - So I invited college studentsto watch the movie and to share any questionsthat it brought up for 'em. So first up is Devyn. - I just finishedwatching the film, and honestly,it feels like I just woke up from a terrible nightmare. My whole body physically hurtas I was walking out of the movie theater, that's how powerfulthe film was. It's one thingto read about slavery and all these terrible thingsthat happened in history books. It's another thing to watch itright there on the big screen. Will, how did playing a slavefor months on end with people saying horribleand dehumanizing things to you affect your mindset, and whatdid you learn about yourself? - Oh, that's a good question.- That's a good question. - Yeah, that's real.- Great question. - I was getting calledthe N word, you know, 100 times a dayby very good actors. - Yeah.[laughs] Yeah.- Like, very, very good actors. You know, it's rough.It twists your mind up. You have to be really careful'cause you definitely twist your mind up. There's, like, a magic momentas an actor you look for. The best way I can describe itis like, you feel the characterwash over you. - Yeah.- Mm. - It'll be wardrobeâ¦- Yeah. - It'll be a scene.It'll be the dialect. - Yeah.- Something. What happened is we weretrying on the neck chains. So where it's, you know,six weeks before we're shooting, and they're tryingto get the right size and the right weight. [dog barking] - Now, let's go!Now! - This feels horrendous. Won't be too much workto find this character. Putting the chains onâ¦- Oh, man. - As an actor,you're always trying to find a thing that makes youunderstand the character. On "Pursuit of Happyness," Chris Gardner took meto the bathroom that him and his sonhad to sleep in, and I walked in the bathroomwith him, and I was like, "Got it." And as soon as those chainswent on, I was like, "Got it."- Got it. - It turns off your agency. You don't want to step.You don't want to move. You don't want to look anybodyin the face. It's deeply dehumanizing. - Mm.- Dang. - Oof.- Damn. - Yeah, yeah, that justput me back in there. - Damn.- That put me back in there. - That's crazy. - Yeah. - Take a moment. - Sorry, yeah.Now that's it, yeah. Wow. So they put it on, they do it,so I'm standing there, and then he goes to take it off,and it doesn't work. So it's locked on,and my heart jumps. - Yeah.- And I'm like, "Oh, no. Oh, no.Oh, no." So I'm sitting there,and now he's running around looking for the keys,and for 15 minutes, I'm stuck there in the chain,and my heart is pounding, and I'm like,"Will, do not freak." - [chuckles]- Yeah. - And I'm sitting there,and then it's like I got it. It's like I'm Will Smithwith people running around looking for keys... - And your heartis still pounding. - And my heartis still pounding, and I'm still scared. Imagineâ¦- Yeah. - What it was like for Peterto have that stuff on. - Mm-hmm.- Barefooted and nobody cares. - Yeah. - And it was like,"Whew, yep, I got it." - Yeah that wasa powerful moment for you. - Physical and emotionalclaustrophobia. - Deeply dehumanizing.Yes, absolutely. - Facts.- Really dehumanizing. And I haven't been ableto articulate why, but I felt embarrassed.- Mm. - I was embarrassedwhile I was standing there and I was waiting,and it was emasculating, dehumanizing, all of that,and it was like, "I got it."- Yeah. - Yeah.- "Got it." Once you experiencethose things, they go into the same banksas your actual memories. - Yeah. - You don't havea separate place for acting.- Yeah. - Your brain and your bodyrecognizes it the same wayit recognizes actual memories. - Right.- Yeah. - You have nightmares about itthe same way, and so it's all of that kindof stuff. But "Six Degrees of Separation"was the only other time in my career where I got lost,where I went too far with a character.- Yeah. - I wouldn't sayI went too far with Peter. I just lost trackof how far I went. - Yeah.- Okay, got it. - I got twisted up in therea little bit. - What does that look likefor you? Like, losing track of that. - You go into a state, and whenyou go that one click too far, Will Smith disappears, and then what happens is,psychologically, you go fartherand farther into Peter, and you don't realize that "you" are slipping away.- Yeah. - And then it's over,and you go back, and you look for you,and you're gone, - Mm-hmm.- Yeah. - It's a hard thingto explain, right? So what happens,you play these characters, and when you play themlong enough, it's like movingto another country and speaking another language. If you speak the other languagelong enough, you'll start to loseyour native tongue. - Yeah.- Crazy. - And you can forgethow you walk... - How yourprevious personality-- - How yourprevious personality, right? And, you know,you can see when actors get out on that edge, right? When you touch that edgeof no self. And it's terrifying.- Yeah. - It's terrifying out there. Peter is as faras I've been with a character, and you have toactually train yourself to be able to go fartherand farther and farther. - It's a skill.I mean-- - It's blissful out there,right? To be in a scene,and you have the moment on camera when you forget,and you're lost. It's like it's blissful,except when they say cut, and you reach back for youâ¦- Yeah. Right?And you--it's a weird thing. But I got out thereto that terrifying, blissful edge.- Mm. - Wow.- Mm-hmm. So I wanted to show you guys in real life some ofthe brutal, dehumanizing devices that were used during slavery. - When you say in real life,do you mean, like, right now here?- [laughs] He said, "Do you mean,like, right--real?" Yes.- Oh, no, no, no, no, no, no. Why do we need to see that?- Oh, wow. - I just want--you have to know.So you have to know. - Yeah. - Wow, this is insane. - So that would goaround your neck? - Yes.- Wow. - Keeps you from running. - This is like the onesthat were in the movies that had, like,the bells on them and stuff. - If somebody would run,but, like, who even dreams this up?- Yeah. - Like, that's whatI'm thinking right now. To make a contraptionâ¦- Here's the one with the bells. - Oh.- Feel the weight of that. - Ooh, yeah, that'sâ¦- Oh, my gosh. - Just feel the weight of that,what it would do on your neck. Imagine somebody puts that on your neck,they can take any of you away. They could rape anybodythey want whenever they want. For me, as an actor my imagewas you guys and imagining being pulled away.- Mm-hmm. - Right, just imaginesomebody comes in here right now and beats meand snatches me away, and you guys don't knowif you'll ever see me again. That is the legacy of slavery in America. It creates generational trauma,even on a cellular level. You know, there are some-- - It's been provenscientifically. - Exactly.- Yeah. - As brutal as it is,there's also the other side of how resilient and powerful... - Extreme. - That Blacks in America-- - It's incomprehensible,honestly. - You know?- It's incomprehensible. - Let's talk a little bitabout your physicality... - Yes. - And what you had to go throughto get your body into the place making this movie'cause Willow kept noticing in the movie, like,"He's getting skinnier. He's getting skinnier.He's getting skinnier." - Yeah, you guys may remember, I posted the out of shape--the dad bod picture. - Yeah, yeah. - The dad bod picturewas my beginning of preparationto lose weight for Peter. - Okay. - I was probably 225-ish when I started,and at the lowest on the movie, I got to 195.- Ooh. - For me,the physicality is a big part of what makes people go, "Whoa."- Yeah. - You know? To be able to transitionand manipulate your body as an actor is a big partof the suspension of disbelief for people, and actuallybeing out in the swamps. - Yeah, I'm sureyou were just losing weight just being there.- Yeah, it's hot. It's nasty.You're in the swamp. Your hands are dirty,so you don't really want to grab food and eat.- Yeah. - Like, you were really in it.- Yeah. Yeah, I went in there deep.- It's insane. What's the most impactful partof the movie for you? - So there was... It was--I can't eventalk about Peter without being all teary, so-- but y'all see me cryall the time. - Oh, let it rip, Dad.- Y'all see me cry all the time. So Peter said in his writings--or probably dictations to somebody, but the thingsthat exist historically-- Peter was beaten into a coma.- Mm. - And in the coma,he said he met God. - Mm.- Mm. - It's right in the middleof the movie, and he's been runningfor a few days, and there's no food and no waterand out in the swamp, and he's there,and he's feeling lost, and he's feeling turned around, and his hearing's goinga little bit, and he stops,and he gets himself together, and he goes... [dramatic music] - [speaking native language] - And he finds the gratitude to praise Godin the middle of that. - Wow. - It was one of the things thatI wanted to be able to share with you all, the ideasthat I learned from Peter. So the concept is that nobodygets out of this life without havingto bear their cross. - Facts, full facts.- Right? So you may not have to bear it to the levelthat Peter had to bear it or to the levelthat Jesus had to bear it, but the only wayto be here joyfully is to be grateful for the crossyou've been given to bear. You have to know that sufferingleads to salvation. - Mm-hmm.- Fully. - And the only thingthat would make you not reach "the promised land"is giving up, and Peter knew and trusted God fully that all he had to dowas bear his cross with gratitude. He as saying, "Thank you, God"in the middle of that. - Mm.- Mm. - Peter's faiththroughout the whole movie... - Yeah. - Was somethingthat really stuck out to me. - Absolutely.- That was fire. - Peter has absolutelychanged my life. You know, so yeah.- It's beautiful. - I heard a great quote. "The only way to be here is you have to learn howto have an open heart in hell." - Yeah.- I mean-- - 100%.- Yes. - Yeah. - Here's a question froma theatergoer from Los Angeles. What we got? - My name is Staci Ramsey,I'm 23 years old, and I went throughso many emotions throughout this whole movieto be honest. Some were sad.Some were happy. Some felt really familiar because no matter what it isthat you go through, there's so many things-- whether it'speople, work, family-- that try to break parts of you, and it's so importantjust to push through and not let them break you.I have a question for Will. I just would really like to knowwhat form of personal suffering did you tap intoto execute this role? - Wow.- That's a crazy question. - I don't have, thank God,anything in my life comparable towhat Peter experienced. There's a universal suffering that I thinkwe can all connect on, but I don't knowwhat I would actually do in the face of that kindof demonic malevolence. - Oh, yeah.- Yeah. - To be really faced withâ¦- The true darkness. - I've had moments within myself where I've had to face things,but, like, to look into the eyesof that kind of malevolence-- - It's either you're enlightenedor you go crazy. - Yes, exactly. Yeah. - You either become enlightenedor it breaks you. - Yeah.- Like, that's it. - There's a term Plato usedthat puts those together-- divine madness.- Yes. - That there's a certaindivine madness that I was tryingto depict from Peter. Because when you stopand you pray in that moment-- - When you're being chasedby three people with dogs and horses.- Yes. That is a taste of divine madness.- Yeah. - That's what I learnedfrom Peter. Like, the idea of the darkness being the roadto the light. - Yeah.- Facts. - So one of the most criticalmoments in the movie for me was the speech thatBen Foster's character gives. - Yes. Yes, yes, yes, yes, yes.- The story about-- - Telling the story ofhis nigger house girl. And what was so beautifulabout Ben's portrayal is he loved her.- You can tell. - And what I love is that you can see his heart was taught to hate.- Yeah. Yeah. - My father was a Cornhusker. My mother passedwhen I was young, so... the job of raising me fell onour house girl. She took care of me. She fed me, she washed me, she taught me things. She was my friend. One evening I asked my father if she could join us for supper. And he looked at mein a funny way and said, "Then what?" I said,"So we could eat together." To which he asked,"Then what?" I didn't know.I was just a boy. But he did. He said,"First they eat our food. "then they'll take our jobs "and then they'llsteal our land. "We give the--so much as a crumb, they're gonna take overthe whole damn country." - That's crazy.- And then he goes on to tell the story of how hewatched her die for three days. - Three days, yes, exactly.- In the field. - His father taught him hate. - And through trauma.- And through pure trauma. - It's like--[sighs]I just couldn't imagine seeing someone you love so much in the field dyingfor three days. - And you can't do anything. - Like, that on a child's mind is like blunt force trauma,like-- - Absolutely.- Yeah. - Ben Foster is phenomenalin "Emancipation." I hear he sent the Red Tablea message, and I haven't seen it yet.- Uh-oh. - Oh, wow.- Ben is the total opposite of his character.[laughter] I'm like, "Who's that?" - The first day of setwas staggering. 200+ background actors portraying the enslaved. I was walking pastmen in chains, and in situations of suchtremendous violence. [dog barks] And then I felt him. I didn't see him, I felt him. It was Will on set. But it wasn't Will Smithas we know him. It was a man,and that man was vibrating. It's animal stuff.It's hard to explain. But I could feel the presence ofthis man who was digging deep. And I passed him,and I felt, well, I'm gonna give him his space. We didn't speakfor six months of shooting. What I saw with Will is anactor whom I've respected for so very long,I think does some of the most important work not just of his career,but of current day cinema. This is a performancethat speaks to the human spirit against all odds. To fight for love. The fight of faith,the fight to endure and endure for love. I'm blown away by whatWill Smith did in this film. What I hope people takeaway from this film is the worst thingthat we could do is not raise our hand,is not to have an open dialogue. We must reflect on our past inorder to meet our current day. And our current day is rifewith frightening similarities of what happened during thistrue story when it took place. I happen to believe babiesare not born with hate in their heart,that hate is learned, that he can be unlearned, and compassion can fillthat void, heal that virus. And we can remind eachother of our similarities, our commonalities with empathy. We don't have to geteach other holy, but we must recognize thatwe're all flesh and blood. We're not here for long let's lead with kindness. - Wow.- Wow. - That's crazy.- Yeah. - That says it all, right there.- That was beautiful. - That's great that he felt you,he felt your presence. - So my side of that, right--[laughter] 'Cause this is--that's my firsttime hearing his side, right. So we were having delays. I think we didn't even geta shot the first day. - Whoa. - There was lightning,and there was the heat, and we had literally lostan entire day. So, I'm doing my,you know, thing, I'm-- The extras--hey, thank you allvery much, everybody. Blah, blah, blah.In my mind, I was giving my best Will Smith.- Mm-hmm. - And Ben just walked past me, and didn't say nothing. I was like, oh, he must not have seen me. [laughter] And then for six months, he didn't speak to me. He didn't make eye contactwith me. He didn't say a word. He didn't acknowledge me for six months. But when he did that first day,I was like, yep, got it. We're not playin'. This is real. This is serious. We're not fooling aroundwith these ideas. And I really credit Benfor clicking me into the next gearof depth and focus. So the final day, me and Antoine are atthe monitor looking at the shot, and Ben comes over--he nevercame to the monitor ever to look at the shot. So I'm like--- [laughs] - So he's there,he comes to the monitor and he watches the shot, and Antoine said, "I'm happy. We got it." And then I look over at Ben. It's his last day.He says, "Nice to meet you. Ben."[laughter] - Stop! Stop! Stop. Yo. Yo. - That's crazy.- Yeah, yeah. - Stop.- I was like, ohh. You know, 'cause it was like--'cause, you know, we had been throughthat whole movie together. - Bro. That is crazy. - Did you guys talkat all after that? Well, you had to keep going.- He left. He flew out. [laughter]He went home. That was his last shot.That was his last day. - Stop.- 'Cause he went from-- "Nice to meet you. Ben."[laughter] - He was just waiting for the--- He went there like-- - He was just waiting for the--- Let me make sure I can officially stopbeing this character. - Yes, absolutely. Ben set the tone for everybody,right. And he wasn'tgoing to his trailer. He was staying in his tenton the set, like, all day long.- Stop! - Like his actual--like, his character tent. He had all of his stuffin his character tent. - Well, you taught me thisâ¦- Mm-hmm. - Great, great actors makeeverybody else's job easier. - Yeah, yeah.- Yeah, they do. - You're right. Yeah.- Wow. - And if you're greatat anything, you make it easyfor everybody. - Yes, absolutely.- So that was it. You guys didn't talk anymore?- No. Not till a few monthsafter that. - Oh, okay, so then--- Yeah, we came back together for some pressor something like that. - Oh, okay, and how was that? - I was like, "Who are you?"- Yeah. - "Who are you, "you kind soul, you?[laughter] Who are you?"- Oh, man, that's crazy. - So the brilliant directorof "Emancipation," Antoine Fuqua wanted to say this. - Hey, Willand "Red Table Talk," here's a few thoughtsabout "Emancipation" I thought I wouldshare with you. When peoplego to see this film, I'm hoping they'll be inspired and experience the love story and see a film about freedomand faith and family, as well as a story aboutstrength and perseverance. The story of Peteris incredible-- a man that was a slavebut was free in his mind, in his heart and spirit. - Antoine is no joke.- Oh, no. - Antoine said,"This is what it's about." [laughter] I respect that.- Yes. Yeah. - Antoine is a beast, man. He created somethingI think is a real masterpiece. - Yeah, it really is. - The DP, Bob Richardson--- Whoo. - He put his thing downwith this movie. - The cinematography is insane. And I've never seen anymovie that just visually looks the waythat this one does. - Yeah, yeah.- For sure. - One of the things thatAntoine said that was great about that texture--- The tone. - That he said he wantedto drain the color out of the Confederacy.- Mm. - Right?For that not to be glorifying. - Oh, wow.- There's a great shot with Peter firing a gun at one of the last monthmoments in the battle with the American flaggoing by in the background. - Yeah.- Got it. - And the story is that wefought for this country, right? We fought and earnedour position in this country. We don't have to feellike outsiders here. - Yeah.- This is our home-- - Even though we're treatedvery, very the opposite of that. - And the thing is like,no, no, no, it's not [bleep] America. No, no, no, no, no. We are America. Like, own it.- Yeah. And not ownership in a waythat it's ours and not other people's,like, it's all of us. - Exactly.- It's equally mine as it is yours.- It's equally mine as it is yours.- Yeah, yeah. - We are a part ofthe fiber of this place. The ownershiphas to be in our minds. - Yeah.- In the same way the emancipation has to bein our minds. Like, Peter was enslaved, but he was never a slave. - But he was free within.- He was free. - He really was.- Within. - When I was growing up,you know, 'cause Daddy-Owas in the Air Force. - Oh, okay.- Yeah, so, Daddy-O, raised me like--[taps table]"American." - Mm-hmm.- He raised me with the idea, if somebody said,"Go the [bleep] back to Africa." Nope. You go back to whereveryour people came from. I'm here. You go back. Right?- I have this conversation with people a lot of the timeswhere they're like, this thing that you're talkingabout is so dark or this thing that youare shining light on is so terrible, but it's like,we can never forget about the historyof the reality. 'Cause if you don't knowthat those types of things are possible and people can dothat to people, then, you know, you're gonna--you have to move throughout the worldknowing history. You know what I mean?Like, those who don't know their historyare doomed to repeat. - Yeah, doomed to repeat it.- Yeah. - There's anotherone I really love-- the one thing we learnfrom history is that we don't learnanything from history. - Yeah.- Yeah. - We do it all over again.- Exactly. - We do it all over again. And I'm hoping thatit won't be the case. - Yeah. - It was really critical for mefor you guys and really your generationto see this movie and to understandthe foundations of this story and whatit means in this country. - Yeah.- You guys were born with a Black president. I remember whenBarack Obama got elected, and we were crying,and you guys couldn't--like, "We knew he was gonna win." It was like you guys grew upin a largely different era. So to me it's really importantwhen you know where you've been. It helps you get a better senseof where you're going or even why certain thingsare the way that they are. - Yeah.- Right? - Before we wrap...- Before we wrap, yes. - We have a messagefrom your biggest fan. - A message from my biggest fan.Uh-oh. - Yeah.- Uh-oh. Who is it? - Hey, baby, this is your mama.- What? Mommy!- And I just want to tell you what a wonderful moviethat "Emancipation" is. I just couldn't believewhat a wonderful job that you performed becausePeter just came right through. And I looked and lookedand I knew, I said, oh, that is my child. But Peter just exudedthrough you and I just--[shudders] You just left yourselfand just became Peter. When Peter was in the swamp, and he there and it seems likeforever in that water and I wish I could have justgone in and just gotten you out of there. Will, I know how much hard workand dedication you put into makingthis movie come to life. I can't wait for the worldto see it and learn from it. And I'm gonna tell everyonethat I know that they definitely need to go. I love you so much,and I'm so proud of you. And Trey, Jaden and Willow, Mama loves you so much. - Aww.- Aww, Mama. - Thank you, Mama.[all clapping] Clap her in.- Clap her in, clap her in, yeah. - I'm so glad that we were ableto have this conversation. I feel like I learned so muchand that the entire youth is gonna learn so much. "Emancipation" is streaming now on Apple TV+.- Yes. - Yep.- Thank you, thank you, thank you.- Thank you, Dad, so much. - Yeah! We ready?Where y'all at? It's a "Red Table" takeover with my kids,Willow, Jaden, Trey. I'm the boss. I'm in charge.[laughter] And we're talking aboutmaking the movie, "Epant--" "Epants--"[laughter] - "Epantsimation!"- [laughs] "Epantsimation." - We're talking about the mostgrueling and transformative mo-- oh--oh! No, no, no, it's fine.It's Willow. It's not--[laughter] 'Cause you kids are playingbehind me. - Don't ad-lib.Just read the frickin' screen. - Ad-libbingis how we got this house. Okay?- Okay. So just read the script, all right?- Me ad-libbing is the only reasony'all are here. - That's why you're messing up. Kept having sexbecause I was ad-libbing. [laughter] Come on, kids!- We got you, we got you. - You kids are beingso immature. Making the movie "Emancipation." Tap now to watch. Check us out.- Boom. - Yes, yes.- Boom. - I'm good at this.[laughter] | Zootzle
